You will find it easy to play the sounds and the programs with the korg kaossilator pro synthesizer. With the addition of free forming performances, a musical-key and either of thirty one scales could be selected. The X-Y synthesizer will cover the full range note or solo octave for nuance controlling. The Gate arpeggiator, which is derived from the electribe, will add the pitch and exact timing-information, and can be used for grooving creation.
The korg kaossillator pro synthesizer will make way for the creation of almost 4-bar loop musical-phrases. The external-audio from the mp3-player, instrument, or-a microphone, which is run through the internal-vocodor can also be recorded as a part of the loop-ed phrase. The korg kaossilator pro synthesizer will give access to 4 single loop-recorder-banks with real-time looping, with layering and DJ like remixing. The loops information can easily be saved to the SD-media store cards and can be transferred through USB to a personal computer for further usage in a DAW. If you are not at all confident about achieving precise pitch and timing, then you could delegate the timing-duties to its inbuilt arpeggiator. This moves across at the present tempo, thereby giving you the freedom to search the correct notes. The arpeggiator’s history can be traced way back to korg’s 2-king electribes, ESX1 and EMX1, and is just perfect for performing almost anything, starting from superfast riffs and sequential bass lines to wild robotic sound solos, if you bring the vocodor into play. There is a little switch at the back end which will determine whether the arpeggiator’s slider can be used to either control the speeds or elongate the steps of each respective note. In the speed case, the divisions will fall always within needed musical-boundaries. If you are using the slider to change the speed of play, complex-phrases can be sync’ed to present tempo quite easily. With the rhythm set above 108bpm, one will have enough of memory for recording the highest of 4 measures, which is 16 beats in each respective loop. The pads come with simple color coding. Say, if it is green then the pad will have data, but will not play. Orange signifies pad is-looping, and red means that both the looping as well as recording. With 4-loops to be chosen from, you will produce miniaturist performances; blend drum patterns, in-coming audio and the sounds being played or arpeggiate.
Apart from being a miniature korg kaossillator pro synthesizer, the kaossilator pro will have ten vocoder-patches and 5 effects algorithms. You will find that the vocoders have actually surpassed that of kaoss pad 3, being more of varied and perfectly chosen. Some inhibit decimators, reverb, delays or glitchy-grain-shifter from korg, and all of these are under innate pad control. Once you take off your fingers away from the pad, the vocoder will be deactivated instantly, thereby allowing you to speak or sing freely. You will find that the last 5 programs consist of the audio-processors like the filter, delay and the pitch-shifter. The korg kaossillator pro synthesizer is worth well having.